We live in a time when images no longer need to be real to be believed.
Truth has become negotiable; emotion replaces evidence.
In such a landscape, the artist becomes a kind of emotional architect—someone who constructs not facts but states of being.
This shifts the responsibility of art:
not to reveal truth, but to reveal our complicity with illusion.
The artwork becomes a mirror, and what we see depends on what we need to believe.
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Serkan Dinç
Ceramic artist and production technician sharing insights from the studio.